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Moti Gokulsing and Wimal Dissanayake The right of the editors to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
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Moti Gokulsing and Wimal Dissanayakeįirst published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 K. He has published widely on Indian cinema, and is co-editor of Popular Culture in a Globalised India (Routledge, 2009) with K. Wimal Dissanayake teaches at the Academy for Creative Media at the University of Hawaii, USA. His publications include Soft-Soaping India: The World of Indian Televised Soap Operas (2004). He is the co-founder and co-editor of the journal South Asian Popular Culture published by Routledge. Moti Gokulsing is Senior Visiting Research Fellow at the University of East London, UK. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies. The Handbook provides a comprehensive and cutting-edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. Combining an historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. After years of marginalization by academics in the Western world, Indian cinemas have moved from the periphery to the center of world cinema in a comparatively short space of time. India is the largest film-producing country in the world and its output has a global reach. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.Ĭombining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. India is the largest film producing country in the world and its output has a global reach.